Tutorial 5 – Thursday 10th November

This was a tutorial I had with Lee in the Multitrack, which we used for him to give me some tips on mixing guitars. Having attended the second year session on recording drums I felt more confident in the studio. We also discussed the fact that I had booked a room in Insonic Studios on Monday the 21st to record drums. While this would cost me £70 I feel it was worth it in order to try and use the same methods used by Rich Costey, which would have been much more difficult in the live room at the university.

In this session Lee listened to the demos I had for the tracks I was going to record and also suggested asking a first or second-year student to be my assistant engineer when recording guitar in the studio. As a result of this Jamie Proctor worked with me on the guitars.

 

Tutorial 4 – 1st November

After presenting my Individual Learning Outcomes (can be found in their own category on this blog) to Lee, which he was happy with, we started discussing the next stage, which would be to record the drums for the project. Lee suggested I get in contact with Insonic Studios, to get the desired drum room sound, which I eventually did.

He also suggested I attend several extra sessions on recording drums and guitar to get a feel for the studio which, as a transfer student, I didn’t have too much experience of.

Tutorial 3 – Tuesday 18th October

In this session I showed Lee my initial presentation which showed many of the ideas that I carried forward in this project. I did not, however, write my own Individual Learning Outcomes, which I would need to do for our next session. My presentation was close to complete, I just needed to add these and the project would be ready to go ahead.

 

Tutorial 2 – Tuesday 11th October

In this tutorial, Lee and I further discussed what I wanted to do as a project and narrowed it down to creating something researched based that would be influenced by the work of Rich Costey. This then changed slightly to be influenced by the work of John Leckie and Rich Costey on Muse’s first three albums and Rage Against The Machine’s ‘Renegades.’

We narrowed it down to an EP of original material, rather than the idea of covering popular songs in Muse’s style like I had suggested.

The the next session Lee set me a checklist of things to do. It was as follows;

 

  • Research and discuss the record production techniques used by Rich Costey on the following albums: xx x xx xx
  • Use a selection of these production techniques to inform and shape the sound of an EP of original material.

 

You need 4-5 of these.  Make sure that they’re measureable and specific.

 

  • By next week (or maybe week 5) you will need to informally present your project proposal.
  • Do a powerpoint and cover the following: The creative objectives of the project.  YOUR LEARNING OBJECTIVES. Synopsis of the nature of the final product (include, reference music, nature of the recording sessions).

 

Reflective look at guitar recording (LO1)

Recording the guitar for this EP was something that was very important to get right.

The session itself was very productive and I got everything from it that I needed and more. I’m really happy with how all of the guitar tones have turned out and the majority of work for this was done during recording, like I’d planned. (See posts entitled ‘Recording Guitar’ and ‘Guitar Tones’).

The amp that my assistant engineer for the session brought along, a Peavey Valve-King was perfect for the job to the point that I didn’t even consider using the Vox modelling amp that belongs to the university.

As I mentioned in the post ‘Mixing Guitar’, I decided to use three microphones to record and this turned out to be a good move as I found that I got a lot more tonal variety from doing this. I used all of the pedals I mentioned in earlier posts and as predicted, used the distortion sound of the amp alone for the Rage Against the Machine tone I was trying to replicate. I also used Matt Bellamy’s approach of using full master volume but low gain mentioned in the ‘Guitar Tones’ post.

I recorded all the takes that I have used in my final mixes with two Shure SM57s, which were used to record the guitars on Origin of Symmetry (see my previous posts on guitars).

Below are images of the microphone setup and the pedalboard I used.

IMG_20161201_190824

IMG_20161201_172523IMG_20161201_172500

I achieved everything I aimed to in my guitar recording session and this made the mixing stage far easier.